Double bill featuring movies that focus on America's recent involvement in foreign countries. In 'The Kingdom' (2007), when a terrorist bomb detonates inside a Western housing compound in Riyadh, Saudi Arabia, an international incident is ignited. While diplomats slowly debate equations of territorialism, FBI Special Agent Ronald Fleury (Jamie Foxx) quickly assembles an elite team and negotiates a secret five-day trip into Saudi Arabia to locate the madman behind the bombing. Upon landing in the desert kingdom, however, Fleury and his team discover Saudi authorities suspicious and unwelcoming of American interlopers into what they consider a local matter. Hamstrung by protocol, and with the clock ticking on their five days, the FBI agents find their expertise worthless without the trust of their Saudi counterparts who want to locate the terrorist in their homeland on their own terms. Fleury's crew finds a like-minded partner in Saudi Police Captain Al-Ghazi (Ashraf Barhom), who helps them navigate royal politics and unlock the secrets of the crime scene and the workings of an extremist, hell bent on further destruction. 'Jarhead' (2006) is an adaptation of former Marine Anthony Swofford's Gulf War memoir. Young recruit Swofford (Jake Gyllenhaal) joins up with the US Marines (nicknamed 'Jarheads' because of their distinctive haircuts) on the eve of the 1990 Gulf War. After a brutal spell in boot camp, during which Swofford and his fellow recruits are systematically geared up for the conflict, the Marines are dispatched to the deserts of the Persian Gulf to take part in a war that sees them required to do very little in the way of fighting. Bored and frustrated in the middle of nowhere, the young soldiers resort to a macabre sense of humour as they wait for the war to happen to them.

Third film in the Disney animated comedy series following a family of chihuahuas. Chihuahua Papi (voice of George Lopez) moves into a luxury hotel in Beverly Hills along with both his dog and human families. When his smallest puppy, Rosa (Kay Panabaker), feels insignificant because of her size, Papi encourages her to discover her hidden strengths.

In settings that range from the old American West to pre-revolutionary France, from a present-day dig site in the high tablelands of South America to deep space, That Tiny Life is a wide-ranging and utterly original collection of short fiction and a novella that examines the idea of progress — humanity’s never-ending cycle of creation and destruction. In the award-winning story, “Valley Floor,” a surgeon performs an amputation in the open desert in the American West. In “Da Capo al Fine,” set in eighteenth-century France, the creator of the fortepiano designs another, more brutal instrument. And in “That Tiny Life,” the reader gets a glimpse into a future in which human resource extraction goes far beyond Earth. Each story is infused with impeccably researched detail that brings obscure and fascinating subject matter into bright relief, be it falconry, ancient funeral rites, or space exploration. The result is an amazing interplay of minute detail against the backdrop of huge themes, such as human expression and impact, our need for connection, the innate violence in nature, and the god-complex present in all acts of human creation. A highly accomplished, evocative, and wholly impressive work of short fiction, That Tiny Life introduces readers to a writer with limitless range and imagination.

Andrew Niccol directs this science fiction romance adapted from the novel by Stephenie Meyer, creator of 'The Twilight Saga'. An alien race has begun colonising Earth by taking over human bodies and erasing their minds and memories and only a small band of survivors remain who are working to protect themselves from extinction. One of them is Melanie Stryder (Saoirse Ronan), who, when out on a search for food, meets another human being named Jared Howe (Max Irons) and it isn't long before they begin to develop feelings for one another. However, when Melanie is taken by the alien species and is made host to one of their own, it seems all hope is lost. That is, until Melanie's mind begins to fight back against her new inhabitor and her human emotions and memories ignite some empathy in the alien parasite.